The Greatest Star Comes to DVD – Worth the Wait! First off – the DVD: It’s a letterbox transfer of pristine new print that has been digitally restored (sometimes frame by frame) back to its original condition. Funny Girl hasn’t looked this good in thirty years – so if you’ve only seen it on VHS or TV, you’re in for a visual treat. I saw the restored print on a huge screen this past fall, and believe me, this transfer does it justice. In addition they have included the pre-show and intermission music as well. The additional documentary material is nothing to write home about. But I think whoever did the DVD menu deserves kudos for styling it like the New Amsterdam theater marquee from the first shot of the movie, with highlights from the film playing in the background. Very appropriate and very clever.Funny Girl is A.) the musical biography of comedienne-singer Fanny Brice, and B.) the Oscar-winning film debut of 26 year old Barbra Streisand. As theatrical history lesson it’s pretty flawed – (Arnstein was Brice’s *second* husband, for example). The Streisand – Brice connection is strong, however. Fanny, like Barbra, wore her Jewishness as a badge of honor – in contrast to most Jewish performers of the day, who tried to blend in as much as possible. As a matter of fact, the “You Are Woman, I Am Man” seduction scene plays like a Brice “Follies” sketch.And as a star vehicle for Striesand, it’s a winner. “I’m the Greatest Star” at the beginning of the picture is an electrifying jolt of raw, pure talent. At the end of them film when she falters on the opening words of “My Man”, you’ll remember what it feels like to watch your beloved walk out of your life.William Wyer seems to be aware that he’s launching a new star. The way he introduces Barbra – that long walk with her back to the camera in the leopard coat – ending with the first teasing glimpse of her face in the mirror – “Hello, gorgeous.” It was a closeup that many film folk were sure would have audiences recoiling in horror. Certainly plain looking Barbra couldn’t make it as a movie star. Well, it’s not news anymore but it turns out that Barbra photographs beautifully. Even Barbra-hater Rex Reed had to admit at the time, “It took the combined efforts of God knows how many people to do it, but I’ll be damned if they haven’t made her beautiful!”Omar Sharif plays opposite Barbra, and he holds up his end of the film nicely, no small feat when you consider that the script gives him little to do and the entire property has been tailored to Streisand’s strengths. No one else registers, with the possible exception of Kay Medford as Fanny’s mother. (Poor Anne Francis sued Columbia after the film was released, claiming Streisand had her cut out of the finished film. Most of you are sitting there thinking, “Anne, who?”)All in all, one of the better Sixties Broadway musical adaptations. (Note: Funny Girl was nominated for Best Picture in 1968. It lost to another Columbia Pictures musical – Oliver! If you liked Funny Girl, check out Oliver! – it’s a better movie, even though it has no star names over the title. More 1968 Oscar trivia – Barbra won for Best Actress in a tie with Kathrine Hepburn of “Lion in Winter”. In Oscar balloting there can only be a tie when there are the exact same number of votes. Why do I mention this? Well, it just so happens that because of her “special stature” in the industry, Barbra Streisand was admitted as a voting member of the Academy that year – with the release of just her first film. I wonder who she voted for???? If she hadn’t been given special treatment, maybe Kate Hepburn’s name would had been the only one announced that night!)
“He’s got polish on his nails.” The ultimate showcase for an actress, Barbra Streisand’s highly publicized film debut in FUNNY GIRL met every single expectation and then some. The film was the highest-grossing film of 1968, and it’s very easy to see why. The film has many great qualities: It’s expertly directed by three-time Academy Award winner William Wyler (the finale of the “Don’t Rain On My Parade” number is just as astonishing as the chariot race in Wyler’s BEN HUR), the storyline is extremely compelling, Omar Sharif is an incredibly suave and charismatic leading man, the supporting players are perfectly cast (particularly Kay Medford, Lee Allen, and Walter Pidgeon), and the song score (primarily by Jule Styne and Bob Merrill) is first-rate.
The Greatest Star Comes to DVD – Worth the Wait! First off – the DVD: It’s a letterbox transfer of pristine new print that has been digitally restored (sometimes frame by frame) back to its original condition. Funny Girl hasn’t looked this good in thirty years – so if you’ve only seen it on VHS or TV, you’re in for a visual treat. I saw the restored print on a huge screen this past fall, and believe me, this transfer does it justice. In addition they have included the pre-show and intermission music as well. The additional documentary material is nothing to write home about. But I think whoever did the DVD menu deserves kudos for styling it like the New Amsterdam theater marquee from the first shot of the movie, with highlights from the film playing in the background. Very appropriate and very clever.Funny Girl is A.) the musical biography of comedienne-singer Fanny Brice, and B.) the Oscar-winning film debut of 26 year old Barbra Streisand. As theatrical history lesson it’s pretty flawed – (Arnstein was Brice’s *second* husband, for example). The Streisand – Brice connection is strong, however. Fanny, like Barbra, wore her Jewishness as a badge of honor – in contrast to most Jewish performers of the day, who tried to blend in as much as possible. As a matter of fact, the “You Are Woman, I Am Man” seduction scene plays like a Brice “Follies” sketch.And as a star vehicle for Striesand, it’s a winner. “I’m the Greatest Star” at the beginning of the picture is an electrifying jolt of raw, pure talent. At the end of them film when she falters on the opening words of “My Man”, you’ll remember what it feels like to watch your beloved walk out of your life.William Wyer seems to be aware that he’s launching a new star. The way he introduces Barbra – that long walk with her back to the camera in the leopard coat – ending with the first teasing glimpse of her face in the mirror – “Hello, gorgeous.” It was a closeup that many film folk were sure would have audiences recoiling in horror. Certainly plain looking Barbra couldn’t make it as a movie star. Well, it’s not news anymore but it turns out that Barbra photographs beautifully. Even Barbra-hater Rex Reed had to admit at the time, “It took the combined efforts of God knows how many people to do it, but I’ll be damned if they haven’t made her beautiful!”Omar Sharif plays opposite Barbra, and he holds up his end of the film nicely, no small feat when you consider that the script gives him little to do and the entire property has been tailored to Streisand’s strengths. No one else registers, with the possible exception of Kay Medford as Fanny’s mother. (Poor Anne Francis sued Columbia after the film was released, claiming Streisand had her cut out of the finished film. Most of you are sitting there thinking, “Anne, who?”)All in all, one of the better Sixties Broadway musical adaptations. (Note: Funny Girl was nominated for Best Picture in 1968. It lost to another Columbia Pictures musical – Oliver! If you liked Funny Girl, check out Oliver! – it’s a better movie, even though it has no star names over the title. More 1968 Oscar trivia – Barbra won for Best Actress in a tie with Kathrine Hepburn of “Lion in Winter”. In Oscar balloting there can only be a tie when there are the exact same number of votes. Why do I mention this? Well, it just so happens that because of her “special stature” in the industry, Barbra Streisand was admitted as a voting member of the Academy that year – with the release of just her first film. I wonder who she voted for???? If she hadn’t been given special treatment, maybe Kate Hepburn’s name would had been the only one announced that night!)
“He’s got polish on his nails.” The ultimate showcase for an actress, Barbra Streisand’s highly publicized film debut in FUNNY GIRL met every single expectation and then some. The film was the highest-grossing film of 1968, and it’s very easy to see why. The film has many great qualities: It’s expertly directed by three-time Academy Award winner William Wyler (the finale of the “Don’t Rain On My Parade” number is just as astonishing as the chariot race in Wyler’s BEN HUR), the storyline is extremely compelling, Omar Sharif is an incredibly suave and charismatic leading man, the supporting players are perfectly cast (particularly Kay Medford, Lee Allen, and Walter Pidgeon), and the song score (primarily by Jule Styne and Bob Merrill) is first-rate.